Pretty Lovely
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The hairstyles! The hairstyles!
(Image via How to Be A Retronaut)

The hairstyles! The hairstyles!

(Image via How to Be A Retronaut)

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Danderine ad, 1905.
(Image via How To Be A Retronaut)

Danderine ad, 1905.

(Image via How To Be A Retronaut)

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Another shot from “Northern Women In Chanel” featuring models Julia Hafstrom & Linnea Regnander.
(Image via Fashionising)

Another shot from “Northern Women In Chanel” featuring models Julia Hafstrom & Linnea Regnander.

(Image via Fashionising)

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Love this hair.
(Image via Fashionising)

Love this hair.

(Image via Fashionising)

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An editorial from Vogue Nippon January 2012 called “Keeping the Faith”.
(Image via High Snobette)

An editorial from Vogue Nippon January 2012 called “Keeping the Faith”.

(Image via High Snobette)

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If only…

If only…

(Source: majestic-l0ve)

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Edwardian tears.
(Image via Mariaunet)

Edwardian tears.

(Image via Mariaunet)

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Je l’aime! A gorgeous dress from the GORGEOUS lookbook of Ulyana Sergeenko’s Fall/Winter 2011 collection.
(Image via Fashionising)

Je l’aime! A gorgeous dress from the GORGEOUS lookbook of Ulyana Sergeenko’s Fall/Winter 2011 collection.

(Image via Fashionising)

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Braided heaven.
From TrendLand:

The latest ‘More or Less’ knitwear collection by Nanna van Blaaderen is inspired by organic forms, animal and nature. The designer used  thick woolen yarns in off-white colors and experimented in combining  knitting techniques with braiding techniques. Soft textures and raw  expressive structures of these knitted sculptural pieces are applied in  fashion, interiors and autonomous fields.

(Image via TrendLand)

Braided heaven.

From TrendLand:

The latest ‘More or Less’ knitwear collection by Nanna van Blaaderen is inspired by organic forms, animal and nature. The designer used thick woolen yarns in off-white colors and experimented in combining knitting techniques with braiding techniques. Soft textures and raw expressive structures of these knitted sculptural pieces are applied in fashion, interiors and autonomous fields.

(Image via TrendLand)

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My inner Victorian is swooning. I love this amazingly intricate hairwork jewelry by Kerry Howell.
Via Fashionista:

How did you decide to use hair as your medium? Because it’s a material we’re all very familiar with, and it’s something  that we take a lot of pride in. We look after our own hair–we brush it  and we wash it and we style it. But as soon as it’s apart  from us it  becomes very disgusting, especially other people’s hair. It’s a deep  feeling of revulsion. Also it’s got a history in jewelry. The Victorians  used to use it in mourning jewelry; people used to get commissions of  hair jewelry using hair from their loved ones.

(Image via Fashionista)

My inner Victorian is swooning. I love this amazingly intricate hairwork jewelry by Kerry Howell.

Via Fashionista:

How did you decide to use hair as your medium?
Because it’s a material we’re all very familiar with, and it’s something that we take a lot of pride in. We look after our own hair–we brush it and we wash it and we style it. But as soon as it’s apart from us it becomes very disgusting, especially other people’s hair. It’s a deep feeling of revulsion. Also it’s got a history in jewelry. The Victorians used to use it in mourning jewelry; people used to get commissions of hair jewelry using hair from their loved ones.

(Image via Fashionista)