Writing in Washington Life, Karin Tanabe describes the remarkable writing office designed by Travis Price architects for Wade Davis, National Geographic’s “Explorer in Residence.” It’s one of the most beautiful rooms I’ve ever seen, the apotheosis of writing-caves.
“Travis did a studio on M Street in Georgetown for me,” Davis says, noting that in his current home, zoning prohibited a detached building. While many need light-filled rooms for inspiration, he wanted to avoid large windows opening onto a residential neighborhood and sought a cave-like atmosphere to disappear into his work. Subtle light was brought in by other means when the architect built a dome above his client’s desk (which Price describes as similar to the rotunda of the oracle’s temple at Delphi) and filled it with the books he uses the most. Davis whimsically calls the space his “Navajo kiva of knowledge.”
Inspired by the bountiful Vanitas still-life paintings of 16th-century Northern Europe and the excessive ornamentation of the Baroque period, Dirk Staschke seduces the viewer with his voluptuous organic forms while exploring themes of excess and its effects.A master ceramicist whose work has been shown internationally, Staschke is best know for his banquet style displays of flora, fauna and food. In Falling Feels a Lot Like Flying, an exhibition specifically created for Bellevue Arts Museum, the artist takes his work to a new scale. Comprised of more than ten large pieces, the exhibition captures the beauty and opulence of a moment in time — creamy and syrupy stacks of sweets — yet, decay and collapse is looming right around the corner.
I think I’d go back to writing poetry again if I had one of these.
AntiqueTypewriters.com has a great section on the Crandall New Model, “one of the most beautiful typewriters ever made.”
It has a wonderful curved and ornate Victorian design and is lavishly decorated with hand painted roses, accented with inlaid mother-of-pearl!
Lucien S. Crandall was born in Broome County New York in 1844. He would become one of the great early typewriter pioneers during the 1860s and 1870s. He patented perhaps ten typewriters with six or so being manufactured. All of his designs are very intriguing and brilliantly imagined machines. The Crandall - New Model was his third typewriter to be manufactured but the first to have some success in sales.
The Crandall was the first typewriter to print from a single element or “type-sleeve”, well before IBM’s ‘Golf ball’ of 1961. The Crandall’s type-sleeve is a cylinder, about the size of your finger (see photo below), which rotates and rises up one or two positions before striking the roller, achieving 84 characters with only 28 keys. The type-sleeve is easy to remove, allowing for change of font style and character size.
Ting London makes bespoke flooring out of recycled leather belts, laying them down like floorboards. When/if you get sick of them, they’ll take them back and recycle them. I’m not sure how they’d wear or what they’d be like to clean, but they look awesome.
Each belt is hand selected to ensure a high grade of leather and then the belts are stripped of their metals, hand cleaned with chemical free substances and prepared for use. The vintage belts for each tile are carefully designed in-house as the colour and patterning on the belts is sensitive to each tile. This means no two tiles will ever be the same.
This undated photo from an unattributed newspaper shows the facade of a Danish clothier that advertised its overstock coats by covering the building from top to bottom with over a thousand coats. The display was so successful the police had to come and clear the crowd, but the merchant still cleared out his overstock.
Reuters’ David Gray explored Wonderland, an unfinished Disneyland clone outside of Beijing. Here, a farmer tends crops in a field now encompassing the abandoned Cinderella Castle-style building that was to be a centerpiece. Construction work at the park, promoted by developers as “the largest amusement park in Asia”, stopped around 1998; disagreements over property prices with the local government and farmers are cited as factors.
Regine Ramseier’s “Windstille” installation involved hundreds (thousands?) of fluffy dandelions, sprayed with fixative and hung from the ceiling of a tall, narrow white room. The result is both exuberant and calming, a kind of preserved fragile moment poised on the line between stillness and motion.
Wayne Chisnall’s assemblage sculpture The City, a “mobile cabinet of curiosities,” will be displayed at TROVE gallery, in the Engine Room of Birmingham’s Science and Industry Museum for a show called The Event 2011.
[Video Link] Here’s the swim cap fashion show set in a Punch-and-Judy theater that you’ve been waiting for. Pete Emslie would be happy with the colors! The brooding people in the audience look like they are plotting to kill someone to get a swim cap. (Via Dangerous Minds)
